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Memorable rebranding of Coleridge

The Rime of the Ancient Mariner
South Bank Centre, London SE1

5/5

IT WOULD seem that there’s nothing too ambitious for Britain’s darkest warbling cult trio The Tiger Lillies. And thank goodness for that as their latest project — premiered in France over two years ago — is one of their most spellbinding shows in recent times.

Having embarked on projects such as transforming WWI poetry into songs or a macabre classic German children’s book into an even more sinister musical, The Tiger Lillies now take on Samuel Coleridge’s epic poem The Rime of the Ancient Mariner. 

Along with Mark Holthusen’s stunning visual effects, they transform it into a unique, haunting and effortlessly graceful stage production.

Coleridge’s eerie crime-and-punishment classic recounts the tale of a mariner who narrates his nightmare sea voyage where, having shot an alabatross, he’s forced to wear it round his neck in penance by his fellow sailors, who ultimately all perish. 

In bringing that morbid tale to life, lead singer and accordionist extraordinaire Jaques grimaces through his usual glass-breaking vocal range, with many of the 20 seductive songs sounding sombre in comparison to the Lillies’ usual circus-style cabaret tracks.     

In contrast with many of their shows where the group perform on a stage with minimal visual effects, relying more on their own startling stage presence, this time they perform behind a screen of animated handmade puppets. It’s a puppet theatre which they memorably transform into a work of nightmarish art. 

Indianna Purcell

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