The Ragged Trousered Philanthropists
CLF Art Cafe,Bussey Building, Peckham
4/5

This wild production of The Ragged Trousered Philanthropists is almost as tumultuous as the life of its author Robert Tressell.

In his 40-year life, Tressell had a rollercoaster ride from prosperity to utter poverty, but his primary contribution to the planet was his cherished novel of 1915.

“The first great English novel about class war” has been radically adapted by Neil Gore into a feverishly comic two-hander and he somehow manages to pull it off.

Stephen Lowe’s original script was designed for a far larger cast and the first few scenes are more than a little confusing as hats continually switch to mark the character changes. But, as the characterisation sets in, confusion gives way to clarity and Louise Townsend’s production settles into a steadfast pace.

Tressell’s blend of humour and tragedy is skilfully demonstrated by both Neil Gore and Jonathan Markwood, pictured — who particularly excel in the lighter moments of the play. Their versatility as performers is constantly on display as the tone of the text flips with the flick of paintbrush.

There are some exceptional moments. The agit-prop style of the piece is at its best during “The Great Money Trick” scene, which demonstrates capitalism’s fundamental flaws with a witty cutting edge.

Capital’s failings are also demonstrated in a somewhat unjustified, but nevertheless hilarious, puppet show which pokes fun at Britain’s rigid class structure with acidic impunity.

Just like Tressell’s novel, this play is a call to action. As we see the hours of the “philanthropist” workers being cut and their wages reduced, we are reminded of its undeniable relevance as our wages wane and our welfare state withers.

Combining conventional dialogue, song, puppetry and pantomime with endless set and costume changes, there are times when this production can all get a little too much, but the dynamic nature of Gore and Markwood keeps the show alive.

An exciting and enlightening evening. Of that there can be no doubt.

Until 31 October. Box office: www.clfartcafe.org

Review by Mayer Wakefield